Queering the Voice in Song

Azul, David. “How Do Voices Become Gendered? A Critical Examination of Everyday and Medical Constructions of the Relationship Between Voice, Sex, and Gender Identity.” Challenging Popular Myths of Sex, Gender and Biology, edited by Malin Ah-King, Springer International Publishing, 2013, pp. 77-88. https://doi.org/10.1007/978-3-319-01979-6_8

Barthes, Roland. Image, Music, Text. Translated by Stephen Heath, New York: Hill and Wang, 1977.

Butler, Judith. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Performing Feminisims: Feminist Critical Theory and Theatre, edited by Sue-Ellen Case, The Johns Hopkins University Press, 1990, pp. 270-282.

Connell, R.W. Gender and Power: Society, the Person and Sexual Politics. Stanford University Press, 1987.

Emerich Gordon, Kate, and Ona Reed. “The Role of the Pelvic Floor in Respiration: A Multidisciplinary Literature Review.” Journal of Voice, vol. 34, no. 2, March 2020, pp. 243-249. https://doi.org/10.1016/j.jvoice.2018.09.024

Herbst, Christian T. “A Review of Singing Voice Subsystem Interactions — Toward an Extended Physiological Model of ‘Support.’” Journal of Voice, vol. 31, no. 2, 1 March 2017, 249.e13-249.e19. https://doi.org/10.1016/j.jvoice.2016.07.019.

Original Broadway Cast. A Little Night Music. Sony, 2009.

Sondheim, Stephen. “Now/Soon/Later.” Audio recording, vocalist Lisa Quoresimo. pianist Mitchell Brownell, producer Lisa Quoresimo, 2020.

Strand, Elizabeth A., and Keith Johnson. “2. Gradient and Visual Speaker Normalization in the Perception of Fricatives.” Natural Language Processing and Speech Technology, edited by Dafydd Gibbon, Berlin, Boston: De Gruyter, 1996. https://doi.org/10.1515/9783110821895-003