On “Dramaturgical Awareness”

Authors

  • Alexandra Baybutt

Author Biography

Alexandra Baybutt

Alexandra Baybutt (UK) works as freelance researcher, artist, dramaturg, and movement educator. She completed her PhD at Middlesex University on contemporary dance festival curation in the former Yugoslav space. Current post-doc research projects include “Dancing Through Crises,” an investigation into the effects of Brexit and the Covid-19 pandemic on the diversity of the independent dance scenes in the UK (2020-2021) with Prof. Alexandra Kolb, Prof. Nicole Haitzinger and Dr. Anna Leon. https://Alexandrabaybutt.co.uk

References

Bakhtin, Mikhail. “Forms of Time and of the Chronotope in the Novel.” The Dialogic Imagination. Austin: University of Texas Press, 1981.

Bauer, Bojana. “Propensity: Pragmatics and Functions of Dramaturgy in Contemporary Dance.” Dance Dramaturgy: Modes of Agency, Awareness and Engagement, edited by Pil Hansen and Darcey Callinson, Palgrave Macmillan UK, 2015, pp. 31-50. https://doi.org/10.1057/9781137373229_2

Cvejić, Bojana. Choreographing Problems. Palgrave Macmillan UK, 2015. https://doi.org/10.1057/9781137437396

Cvejić, Bojana. “The Ignorant Dramaturg” Maska, 16 (nos. 131-132), 2010, pp. 40-53.

Hansen, Pil and Darcey Callinson, editors. Dance Dramaturgy: Modes of Agency, Awareness and Engagement. Palgrave Macmillan UK, 2015.

James, William. Writings 1902-1910: The Varieties of Religious Experience / Pragmatism / A Pluralistic Universe / The Meaning of Truth / Some Problems of Philosophy / Essays. Library of America, Iowa, USA, 1988 [1911].

Verkerk, Willow. Nietzsche and Friendship. London, UK: Bloomsbury Academic, 2019. https://doi.org/10.5040/9781350047372

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Published

2021-05-01

Issue

Vol. 4 No. 1 (2021): Elasticity

Section

Articles

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Copyright (c) 2021 Alexandra Baybutt

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.