A Spatial Bubble of Digital Pandemic Theatres

Authors

  • Kyoko Iwaki Waseda University

Author Biography

Kyoko Iwaki , Waseda University

Kyoko Iwaki is a JSPS Post-Doctoral researcher at Waseda University. Her research focuses on Japanese theatre of nonhuman genealogy. Prior to entering academia, she has worked over a decade as a theatre critic contributing to Asahi Shimbun Newspaper. Kyoko is the author of Japanese Theatre Today: Theatrical Imaginations of Eight Contemporary Practitioners (2018) and is the Director of Scene/Asia, a pan-Asian research curatorial network. From September 2020, she will become a Lecturer at University of Antwerp.

References

Barad, Karen. “Nature’s Queer Performativity.” Qui Parle, vol. 19, no. 2, pp. 121-58. https://doi.org/10.5250/quiparle.19.2.0121

Bay-Cheng, Sarah. “Theatre is Media: Some Principles for a Digital Historiography of Performance.” Theater, vol. 42, no. 2, pp. 27-41. https://doi.org/10.1215/01610775-1507775

Berardi, Franco “Bifo.” “Diary of Psycho-Deflation.” Verso, 18 March 2020. https://versobooks.com/blogs/4600-bifo-diary-of-the-psycho-deflation. Accessed 16 June 2020.

Davenport, Thomas H., and John C. Beck. The Attention Economy: Understanding the New Currency of Business. Harvard Business School Press, 2001.

Felton-Dansky, Miriam, and Jacob Gallagher-Ross. “Up Front.” Theater, vol. 46, no. 2, pp. 1-5. https://doi.org/10.1215/01610775-3547683

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Published

2020-07-01

Issue

Vol. 3 No. 2 (2020): Openings

Section

Responses to COVID-19

License

Copyright (c) 2020 Kyoko Iwaki

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.