Performing with the Weather

Authors

  • Annette Arlander University of the Arts Helsinki

Author Biography

Annette Arlander, University of the Arts Helsinki

Annette Arlander, DA, is an artist, researcher and pedagogue, one of the pioneers of Finnish performance art and trailblazers of artistic research. For artworks and publications, see https://annettearlander.com

References

Arlander, Annette. “Agential Cuts and Performance as Research.” Performance as Research: Knowledge, Methods, Impact, Edited by Annette Arlander, Bruce Barton, Melanie Dreyer-Lude, and Ben Spatz, Routledge, 2018, 133-151. https://doi.org/10.4324/9781315157672-8

Arlander, Annette. “Data, Material, Remains.” Disrupting Data in Qualitative Inquiry: Entanglements with the Post-Critical and Post-Anthropocentric, Edited by Mirka Koro-Ljungberg, Teija Löytönen, and Mark Tesar, Peter Lang Publishing, 2017, 171-182.

Arlander, Annette. “From Interaction to Intra-action in Performing Landscape.” Artnodes. 14 (2014), 26-34. https://doi.org/10.7238/a.v0i14.2407

Arlander, Annette. “Performing Landscape for Years.” Performance Research. 9:3 (2014), 27-31.

Arlander, Annette. “Performing with Plants (Artistic Research Project).” Research Catalogue. https://www.researchcatalogue.net/view/316550/316551. Accessed September 2017.

Barad, Karen. “‘Intra-actions’ (Interview of Karen Barad by Adam Kleinmann).” Mousse Magazine. 34 (2012), 76-81.

Barad, Karen. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Duke University Press, 2007. https://doi.org/10.2307/j.ctv12101zq

Barad, Karen. “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter.” Signs: Journal of Women in Culture and Society. 28:3 (2003), 801-831. https://doi.org/10.1086/345321

Barad, Karen, Rick Dolphijn, and Iris Van der Tuin. “Matter Feels, Converses, Suffers, Desires, Yearns and Remembers: Interview with Karen Barad.” New Materialism: Interviews & Cartographies, Edited by Rick Dolphijn and Iris Van der Tuin, Open Humanities Press, 2012, 48-70. http://quod.lib.umich.edu/o/ohp/11515701.0001.001/1:4.3/new-materialism-interviews-cartographies?rgn=div2;view=fulltext . Accessed 15 December 2017.

Bateson, Gregory. Steps to an Ecology of Mind. The University of Chicago Press, 2000. https://doi.org/10.7208/chicago/9780226924601.001.0001

Bennett, Jane. “Systems and Things: On Vital Materialism and Object-Oriented Philosophy.” The Nonhuman Turn, Edited by Richard Grusin, University of Minnesota Press, 2015, 223-240.

Bolt, Barbara. Art Beyond Representation: The Performative Power of the Image. I. B. Tauris, 2004. https://doi.org/10.5040/9780755604876

Bower, Matthew. “10 Incredible Art Installations that Imitate Weather.” November 8, 2012. http://flavorwire.com/344116/10-incredible-art-installations-that-imitate-weather. Accessed 15 December 2017.

Conquergood, Dwight. “Performance Studies. Interventions and Radical Research.” The Performance Studies Reader, Edited by Henry Bial, Routledge, 2004, 311-322.

Finnish Bioart Society. http://bioartsociety.fi. Accessed 15 December 2017.

Davis, R.G. “A Director’s Journey from Performance Art to Ecological Aesthetics.” New Theatre Quarterly. 30:2 (2014), 168-174. https://doi.org/10.1017/S0266464X1400027X

Guattari, Felix. The Three Ecologies, Athlone Press, 2000.

Johnson, Mark. “Embodied Knowing Through Art.” The Routledge Companion to Research in the Arts, Edited by Michael Biggs and Henrik Karlsson, Routledge, 2011, 141-151.

Kershaw, Baz. Theatre Ecology — Environments and Performance Events, Cambridge University Press, 2007.

Kramer, Paula. “Working with Physical Exposure in Contemporary Outdoor Movement Practice”. Art Research Journal. 3:1 (2016), 107-128. https://doi.org/10.36025/arj.v3i1.8458

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McConachie, Bruce. “Ethics, Evolution, Ecology and Performance”. Readings in Performance and Ecology, Edited by Wendy Arons and Theresa J. May, Palgrave Macmillan, 2012, 91-100. https://doi.org/10.1057/9781137011695_8

O-zone / A Journal of Object-oriented Studies. http://o-zone-journal.org . Accessed 15 December 2017.

Randerson, Janine, Jennifer Salmond, and Chris Manford. “Weather as Medium: Art and Meteorological Science”. Leonardo. 48:1 (2015), 16-24. https://doi.org/10.1162/LEON_a_00933

Riley, Shannon Rose, and Lynette Hunter, Editors. Mapping Landscapes for Performance as Research — Scholarly Acts and Creative Cartographies. Palgrave Macmillan, 2009.

Rock/Body: Performative Interfaces between the Geologic and the Body. University of Exeter. http://rockbody.exeter.ac.uk . Accessed 15 December 2017.

Schneider, Rebecca. “New Materialisms and Performance Studies.” TDR: The Drama Review. 59:4 (2015), 7-17. https://doi.org/10.1162/DRAM_a_00493

Spatz, Ben. What a Body Can Do: Technique as Knowledge, Practice as Research, Routledge, 2015. https://doi.org/10.4324/9781315722344

Thomas, Arden. “Stillness in Nature: Eeo Stubblefield’s Still Dance with Anna Halprin.” Readings in Performance and Ecology, Edited by Wendy Arons and Theresa J. May, Palgrave Macmillan, 2012, 113-124. https://doi.org/10.1057/9781137011695_10

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Published

2018-01-15

Issue

Section

Weather and Events