PAN & ZOOM: Reflections on Panoramic Practices

Authors

  • Kaya Barry Griffith Centre for Social and Cultural Research, Griffith University
  • Jondi Keane School of Communication and Creative Arts, Deakin University

Author Biographies

Kaya Barry, Griffith Centre for Social and Cultural Research, Griffith University

Kaya Barry is an artist-researcher and lecturer in new media theory and practice at Griffith University, Australia. Working across the areas of creative arts, mobilities, tourism geography and new materialism, her research is focused on the intersections of environmental tourism and everyday mobile practices.

Jondi Keane, School of Communication and Creative Arts, Deakin University

Jondi Keane is an arts practitioner and Associate Professor of Art and Performance at Deakin University, Australia. Research interests include contemporary art practice and theory, theories of cognition and the philosophy of perception, experimental architecture, and the way in which creative practices can contribute to interdisciplinary inquiries and collective concerns.

References

Barry, Kaya, and Jondi Keane. “Moving Within Mobilities: Expanding spatial experiences through the artwork PAN & ZOOM.” Applied Mobilities, vol. 2, no. 1, 2017, pp. 67-84. https://doi.org/10.1080/23800127.2016.1272971

Barry, Kaya. “Transiting with the environment: an exploration of tourist re-orientations as collaborative practice.” Journal of Consumer Culture, vol. 16, no. 2, 2016, pp. 374-392. https://doi.org/10.1177/1469540516635406

Clarke, David B, and Marcus A. Doel. “Engineering space and time: moving pictures and motionless trips.” Journal of Historical Geography, vol. 31, 2005, pp. 41-60. https://doi.org/10.1016/j.jhg.2003.08.022

Haldrup, Michael, and Jonas Larsen. Tourism, Performance, and the Everyday: Consuming the Orient. Oxon & New York: Routledge, 2010. https://doi.org/10.4324/9780203873939

Huhtamo, Erkki. Illusions in Motion: A Media Archaeology of the Moving Panorama and Related Spectacles. Cambridge, MA: The MIT Press, 2013. https://doi.org/10.7551/mitpress/9228.001.0001

Lindquist, Stephanie. Panoramic Queensland: Exhibition Catalogue. Brisbane: State Library of Queensland, 2009. http://www.slq.qld.gov.au/__data/assets/pdf_file/0007/133783/SLQ_Panoramic_Queensland.pdf Accessed 13 December 2016.

Mcleod, Gary, Tim Hossler, Mikko Itälahti, and Tyrone Martinsson. “Rephotographic Powers: Revisiting Rephotography at Photomedia 2014.” Photographic Powers – Helsinki Photomedia 2014, edited by Mika Elo and Marko Karo, Aalto: Aalto University, 2015, pp. 45-83. http://helsinkiphotomedia.aalto.fi/files/Photographic_Powers_Helsinki_Photomedia2014.pdf Accessed 16 December 2016.

Mulvey, Laura. Death 24x a Second. London: Reaktion, 2006.

Pazzini, Karl-Josef. “Media, suggestion, suspicion.” (e)Pedagogy — Visual Knowledge Building: Rethinking Art and New Media in Education, Edited by Stefan Sonvilla-Weiss, New York: Peter Lang, 2005, pp. 157-180.

The Matrix. Directed by The Wachowski Brothers, DVD, Warner Brothers, 1999.

Urry, John, and Jonas Larsen. The Tourist Gaze 3.0. London: SAGE, 2011. https://doi.org/10.4135/9781446251904

Vertigo. Directed by Alfred Hitchcock. 1958. Fox Classics, DVD, 2010.

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Published

2017-06-01

Issue

Vol. 1 No. 1 (2017): Looking Back on Fluid States — Performances of unKnowing

Section

Articles

License

Copyright (c) 2017 Kaya Barry and Jondi Keane

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.