Sympathetic Vibrations: Sense-ability, Medical Performance, and Hearing Histories of Hurt

Authors

  • Mary King
  • Joan McCarthy
  • Órla O’Donovan
  • Róisín O’Gorman
  • Margaret Werry

References

Ahmed, Sara. What’s the Use? On the Uses of Use. Duke University Press, 2019. https://doi.org/10.1215/9781478007210

Arras, John D. Methods in Bioethics. Oxford University Press, 2017. https://doi.org/10.1093/acprof:oso/9780190665982.001.0001

Barad, Karen. “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter”. Signs, vol. 28, no. 3, 2003, pp. 801-831. https://doi.org/10.1086/345321

Bennett, Jane. “Vibrant Matter”. Posthuman Glossary. Edited by Rosi Braidotti and Maria Hlavajova, Bloomsbury Academic, 2018.

Bouchard, Gianna. Performing Specimens: Contemporary Performance and Biomedical Display. Methuen Drama, 2020. https://doi.org/10.5040/9781350035669

Braun, Bruce. “Review of Jane Bennett, Vibrant Matter”. Dialogues in Human Geography, vol. 1, no. 3, 2011, pp. 390-393. https://doi.org/10.1177/2043820611421562

Brody, Howard. Stories of Sickness. Yale University Press, 1987.

Butler, Judith, and George Yancy. “Interview: Mourning is a Political Act Amid the Pandemic and its Disparities (Republication).” Journal of Bioethical Inquiry, vol. 17, no. 4, 2020, pp. 483-487. https://doi.org/10.1007/s11673-020-10043-6

Chambers, Tod. The Fiction of Bioethics: Cases as literary texts. Routledge, 1999.

Charon Rita. “Narrative contributions to medical ethics: recognition, formulation, interpretation, and validation in the practice of the ethicist.” A matter of principles? Edited by DuBose ER, Hamel RP, O’Connell LJ, Trinity Press International, 1994, pp.260–83.

Derrida, Jacques, and Eric Prenowitz. “Archive Fever: A Freudian Impression.” Diacritics, vol. 25, no. 2, 1995, pp. 9-63. https://doi.org/10.2307/465144

Didi-Huberman, Georges. “Wax Flesh, Vicious Circles,” in Encyclopedia Anatomica: a complete collection of anatomical waxes. Taschen, 1999, pp. 64-74.

Ebenstein, Joanna. The Anatomical Venus. Thames and Hudson, 2016.

Fletcher, Ruth, Diamond Ashiagbor, Nicola Barker, et al. “Wench Tactics? Openings in Conditions of Closure.” Feminist Legal Studies vol. 25, no. 1, 2017, pp. 1–23. https://doi.org/10.1007/s10691-017-9355-y

Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Harvard University Press, 1993.

Haraway, Donna. Staying with the Trouble: Making Kin in the Chthulucene. Duke University Press, 2016. https://doi.org/10.2307/j.ctv11cw25q

Haraway, Donna. “Speculative fabulations for technoculture’s generations: Taking care of unexpected country.” Australian Humanities Review, vol. 50, no. 50 2011. https://doi.org/10.22459/AHR.50.2011.06

Hartman, Saidiya V. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. Oxford University Press, 1997.

Hudson Jones, Ann. “Narrative in Medical Ethics.” Narrative Based Medicine, Edited by Trisha Greenhalgh, BMJ Books, 1998, pp. 217–24.

Hunter, Mary. “Effroyable réalism”: Wax, Femininity, and the Madness of Realist Fantasies.” Canadian Art Review, vol. 33, no. 1-2, 2008, pp. 43-58. https://doi.org/10.7202/1069546ar

Kornmeier, Uta. “Almost Alive: The Spectacle of Verisimilitude in Madame Tussaud’s Waxworks.” Ephemeral Bodies: Wax Sculpture and the Human Figure, Edited by Roberta Panzanelli, Getty Publications, 2008, pp. 67-82.

Lindemann Nelson Hilde, ed. Stories and their limits. Routledge, 1997.

Manning, Erin. The Politics of Touch. University of Minnesota Press, 2006.

Morse, Jaimie. “Centering wax moulages in the history of dermatology: Reflections on Marion B. Sulzberger’s ‘signature’ moulage in the first dermatology clinic in Zurich and its circulation within and beyond Europe since the 1920s”. Paper presented at “Bodies Out of Bounds” workshop at the Radcliffe Institute for Advanced Study, Harvard University, December 1-3, 2019.

Nussbaum, Martha C. Love’s knowledge. Oxford University Press, 1992.

Nussbaum, Martha C. Poetic justice: the literary imagination and public life. Beacon Press, 1995.

Nye, Robert A. “Honor Codes and Medical Ethics in Modern France.” Bulletin of the History of Medicine vol. 69, no. 1, 1995, pp. 91-111.

Nye, Robert A. Masculinity and Male Codes of Honor in Modern France. University of California Press, 1998.

O’Donovan, Órla. “Wax Moulages and the Pastpresence Work of the Dead.” Science, Technology, & Human Values vol. 46, no. 2, 2021, pp. 231-253. https://doi.org/10.1177/0162243920909891

O’Donovan, Órla, Róisín O’Gorman, and Joan McCarthy. Living Well with the Dead in Contemporary Ireland (see https://livingwithdead.wixsite.com/website )

Oliveros, Pauline. Deep Listening: A Composer’s Sound Practice. Deep Listening Publications, 2005.

Panzanelli, Roberta. “Introduction: The Body in Wax, the Body of Wax,” in Ephemeral Bodies: Wax Sculpture and the Human Figure. Getty Publications, 2008.

Phelan, Peggy. Unmarked: The Politics of Performance. Routledge, 1993.

Pierce, Kathleen. “Photograph as Skin, Skin as Wax: Indexicality and the Visualisation of Syphilis in Fin-de-Siècle France,” Medical History, vol. 64, no. 1, 2019, pp. 116-141. https://doi.org/10.1017/mdh.2019.79

Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. Trans. Gabriel Rockhill, Bloomsbury, 2013. https://doi.org/10.5040/9781350284913

Schnalke, Thomas. Diseases in Wax. Trans. K. Spatschek. Quintessence Books, 1995.

Schneider, Rebecca. “That the Past May Yet Have Another Future: Gesture in the Times of Hands Up.” Theatre Journal, vol. 70. no. 3, 2018, pp. 285-306. https://doi.org/10.1353/tj.2018.0056

Schneider, Rebecca. Performing Remains: Art and war in times of theatrical reenactment. Routledge, 2011.

Taussig, Michael. Mimesis and Alterity: A Particular History of the Senses. Routledge, 1993.

Tilles, Gérard. A Visitor’s Guide to l’Hôpital Saint-Louis, the Wax Moulages Museum and the Henri-Feulard library. Hôpital Saint-Louis, 1 av. Claude-Vellefaux, 75475 Paris Cedex 10, France, 2002.

Downloads

Published

2021-12-31