Misperforming Telematics: New Modes of Conferencing Across Distances
References
Ascott, Roy. “Is There Love in the Telematic Embrace?” Art Journal 49:3, 1990, 241-7. https://doi.org/10.1080/00043249.1990.10792697
de Souza, Renato Cesar Ferreira. Information Technology in Urban Places: A theoretical framework for the development of IT applied in the space, LAP LAMBERT Academic Publishing, 2010.
Goldberg, K., D. Song, Y. Khor, D. Pescovitz, A. Levandowski, J. Himmelstein, J. Shih, A. Ho, E. Paulos, and J. Donath. “Collaborative Online Teleoperation with Spatial Dynamic Voting and a Human ‘Tele-Actor.’” Paper at IEEE International Conference on Robotics and Automation, May 2002, Washington, D.C. Accessed 16 Feb 2017. http://goldberg.berkeley.edu/pubs/teleactor-icra02.pdf
Goffman, Erving. “On Face-Work: An Analysis of Ritual Elements in Social Interaction.” The Pragmatics Reader, Edited by Dawn Archer and Peter Grundy, New York: Routledge, 2011, 306-320.
Heidegger, Martin. Poetry, Language, Thought, Translated by Albert Hofstadter, New York, Harper Colophon Books, 1971.
Kozel, Susan. Closer: Performance, Technologies, Phenomenology. Cambridge, Mass.: MIT Press, 2007. https://doi.org/10.7551/mitpress/9780262113106.001.0001
Marks, Laura U. Touch: Sensuous Theory and Multisensory Media. Minneapolis: University of Minnesota Press, 2002.
Menkman, Rosa. The Glitch Moment(um). Amsterdam: Institute of Network Cultures, 2011.
Menkman, Rosa. “Glitch Studies Manifesto.” Video Vortex Reader II Moving Images Beyond YouTube, Edited by Geert Lovink and Rachel Somers Miles, Amsterdam: Institute of Network Cultures, 2011. pp. 336-347.
Polt, Richard. The Emergency of Being. On Heidegger’s ‘Contributions to Philosophy.’ Ithaca: Cornell University Press, 2013. https://doi.org/10.7591/9780801469954
“Siku Aappoq / Isen Smelter.” Yggdrasil Dance. Accessed 10 Feb 2017, http://www.yggdrasildance.dk/siku-aappoq/
Downloads
Published
Issue
Section
License
Copyright (c) 2017 Gunhild Borggreen and Hanne-Louise Johannesen
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.