aisthēsis: Feeling Through the Skin of My Eyes

“About Contact Improvisation.” Contact Quarterly, 2014. https://contactquarterly.com/contact-improvisation/about/. Accessed 7 Dec. 2017.

aisthēsis. Created by Naomi Bennett, performances by Kalli Champagne, Emily Graves, Ethan Hunter, Greg Langner, Josiah Pearsall, and Montana Jean Smith, HopKins Black Box theatre, Jan 2019.

Audience-participant feedback. Department of Communication Studies, Louisiana State University, Baton Rouge. Spring 2019.

Auslander, Philip. “Liveness: Performance and the anxiety of simulation.” Performance and Cultural Politics, Edited by Elin Diamond, Routledge, 1996, pp. 196-213.

Bellerose, Christine. “Being Ma: Moonlight Peeping through the Doorway.” Back to Dance Itself: Phenomenologies of the Body in Performance, Edited by Sondra Fraleigh, University of Illinois, 2018, pp. 161-179. https://doi.org/10.5406/j.ctv80cb20.16

Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” Illuminations, edited by Hannah Arendt, Translated by Harry Zohn, Schoken, 1969.

de Kerckhove, Derrick. “The Skin of Culture.” Marshall McLuhan: Critical Evaluations in Cultural Theory: Volume II, Edited by Gary Genosko. Routledge, 2005, pp. 148-160.

Elkins, James. The Object Stares Back: On the Nature of Seeing. Harcourt, 1996.

Hansen, Mark B. N. Bodies in Code: Interfaces with Digital Media. Routledge, 2006.

Isozaki, Arata. Arata Isozaki, Edited by Ken Tadashi Oshima, Phaidon, 2009.

Kozel, Susan. Closer: Performance, Technologies, Phenomenology. MIT Press, 2007. https://doi.org/10.7551/mitpress/9780262113106.001.0001

Marks, Laura U. The Skin of Film: Intercultural Cinema, Embodiment, and the Senses. Duke University Press, 2000. https://doi.org/10.2307/j.ctv1198x4c

Massumi, Brian. Parables for the Virtual: Movement, Affect, Sensation. Duke University Press, 2002. https://doi.org/10.1215/9780822383574

Merleau-Ponty, Maurice. The Visible and the Invisible. Translated by Alphonso Lingis, Northwestern University Press, 1968.

Rheingold, Howard. Virtual Reality. Simon & Schuster, 1991.

Salter, Chris. Entangled: Technology and the Transformation of Performance. MIT, 2010. https://doi.org/10.7551/mitpress/9780262195881.001.0001

Telematic Dreaming. Created by Paul Sermon, performance by Susan Kozel, Amsterdam, 1994.

Zemelman, Moti. “What is Contact Improvisation?” ContactImprov, www.contactimprov.com/whatiscontactimprov.html. Accessed 7 Dec. 2017.