Decolonisation and Performance Studies: Questions from the Border

“About the Journal.” GPS: Global Performance Studies. https://gps.psi-web.org/about

Amine, Khalid. “Decolonizing Theatre History in the Arab World: The Case of the Maghreb.” Horizons/Théâtre, 12, 2018, 10–25. https://doi.org/10.4000/ht.279

Amine, Khalid. “Performance Research in the Maghreb: Interplay between Appropriation and Contestation.” Pour un Théâtre-Monde: Plurilinguisme, Interculturalité, Transmission, edited by Yamna Abdelkader, Sandrine Bazile, and Omar Fertat, Presses Universitaires de Bordeaux, 2013, 293–319. https://doi.org/10.4000/books.pub.35028

Arora, Swati. “A Manifesto to Decentre Theatre and Performance Studies.” Studies in Theatre and Performance, 4.1, 2021, 12–20. https://doi.org/10.1080/14682761.2021.1881730

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Bala, Sruti. “Decolonising Theatre and Performance Studies: Tales from the Classroom.” Tijdschrift voor Genderstudies, 20.3, 2017, 333–345. https://doi.org/10.5117/TVGN2017.3.BALA

Blu Wakpa, Tria, and George Blue Bird. “Zintkala Woihanbla (Bird Dreams): Drifting and Other Decolonial Performances for Survival and Prison Abolition.” Urdimento - Revista de Estudosem Artes Cênica, 3.39, 2020, 1–35. https://doi.org/10.5965/14145731033920200112

Blanco Borelli, Melissa, Anamaría Tamayo Duque, and Cristina Fernandes Rosa. “Decolonizing Performance Philosophies.” The Routledge Companion to Performance Philosophy, edited by Laura Cull Ó Maoilearca and Alice Lagaay, Routledge, 2020, 153–165. https://doi.org/10.4324/9781003035312-17

Blanco Borelli, Melissa, Bryce Lease, and Royona Mitra. “Introduction: Outing Archives, Archives Outing.” Contemporary Theatre Review, 31.1–2, 2021, 4–13. https://doi.org/10.1080/10486801.2021.1896127

Bourdieu, Pierre. “The Forms of Capital.” Handbook of Theory and Research for the Sociology of Education, edited by J. Richardson, Greenwood, 1986. 241–58.

Cervera, Felipe. “Planetary Performance Studies.” Global Performance Studies, 1.1, 2017. https://doi.org/10.33303/gpsv1n1a3

El Zein, Rayya, Irene Fernández Ramos, George Potter, and Gabriel Varghese. “BDS and Palestinian Theatre Making: A Call for Debate within the Discipline of Theatre and Performance Studies.” Theatre Survey, 59.3, 2018, 409–418. https://doi.org/10.1017/S0040557418000327

Escobar, Arturo. “Worlds and Knowledges Otherwise: The Latin American Modernity/Coloniality Research Program.” Cultural Studies, 21.2–3, 2007, 179–210. https://doi.org/10.1080/09502380601162506

Fanon, Frantz. The Wretched of the Earth. Penguin Books, 1967.

Goddard, Lynette, Royona Mitra, Tom Cornford, Victor Ladron de Guevara, and Prarthana Purkayastha. “TaPRA Executive Sponsored Panel: Decolonizing Theatre, Dance and Performance Studies Panel at TaPRA 2019 Conference.” TaPRA Exec. 5 Sept. 2019. https://www.youtube.com/watch?v=V25ePB2rcg0

Gopal, Priyamvada. “On Decolonisation and the University.” Textual Practice, 35.6, 2021, 1–27.

Hall, Stuart. Familiar Stranger: A Life between Two Islands. Penguin Books, 2018.

Hall, Stuart. “‘In but not of Europe’: Europe and its Myths.” Soundings, 22, 2002, 57–69.

Hall, Stuart. “Old and New Identities, Old and New Ethnicities.” Culture, Globalization, and the World-System: Contemporary Conditions for the Representation of Identity, edited by Anthony D. King, University of Minnesota Press, 1997, 41–68.

Hamil, Mustapha. “Interrogating Identity: Abdelkebir Khatibi and the Postcolonial Prerogative.” Alif: Journal of Comparative Poetics,22, 2002, 72–86. https://doi.org/10.2307/1350050

hooks, bell. “Sisterhood: Political Solidarity between Women.” Feminist Review,23, 1986, 125–138. https://doi.org/10.1057/fr.1986.25

Icaza, Rosalba. “Border Thinking and Vulnerability as a Knowing Otherwise.” E-International Relations. 9 Jun. 2017. https://www.e-ir.info/2017/06/09/border-thinking-and-vulnerability-as-a-knowing-otherwise/

Kaba, Mariame. We Do this ‘Til We Free Us: Abolitionist Organizing and Transforming Justice. Haymarket Books, 2021.

Khatibi, Abdelkebir. Maghreb pluriel. Denoel, 1983.

la paperson. A Third University is Possible. University of Minnesota Press, 2017. https://doi.org/10.5749/9781452958460

Lugones, María. “On Borderlands/La Frontera: An Interpretative Essay.” Hypatia, 7.4, 1992, 31–37. https://doi.org/10.1111/j.1527-2001.1992.tb00715.x

Lyamlahy, Khalid. “The Professional Stranger: On Abdelkebir Khatibi’s ‘Plural Maghreb.’” Los Angeles Review of Books. 3 Dec. 2019. https://lareviewofbooks.org/article/the-professional-stranger-on-abdelkebir-khatibis-plural-maghreb/

McKenzie, Jon. “Is Performance Studies Imperialist?” TDR/The Drama Review, 50.4, 2006, 5–8. https://doi.org/10.1162/dram.2006.50.4.5

Mignolo, Walter D. “DELINKING: The Rhetoric of Modernity, the Logic of Coloniality and the Grammar of De-coloniality.” Cultural Studies, 21.2–3, 2007, 155–167. https://doi.org/10.1080/09502380601162498

Mignolo, Walter D. “INTRODUCTION: Coloniality of Power and De-colonial Thinking.” Cultural Studies, 21.2–3, 2007, 449–514. https://doi.org/10.1080/09502380601162647

Mignolo, Walter D., L. Elena Delgado, and Rolando J. Romero. “Local Histories and Global Designs: An Interview with Walter Mignolo.” Discourse, 22.3, 2001, 7–33. https://doi.org/10.1353/dis.2000.0004

Mitra, Royona. “Decolonizing Immersion: Translation, Spectatorship, Rasa Theory and Contemporary British Dance.” Performance Research, 21.5, 2016, 89–100. https://doi.org/10.1080/13528165.2016.1215399

Mitra, Royona. “Giving Up Space / Taking Up Space.” Contemporary Dance and Whiteness. 19 Nov. 2019. https://danceandwhiteness.coventry.ac.uk/blog/giving-up-space-taking-up-space/

Mohanty, Chandra Talpade. “’Under Western Eyes’ Revisited: Feminist Solidarity through Anticapitalist Struggles.” Signs, 28.2, 2003, 499–535. https://doi.org/10.1086/342914

Revolution or Nothing. “WHITE COLLEAGUE LISTEN! An open letter to UK Theatre, Dance and Performance Studies.” 24 Aug. 2020. https://medium.com/@revolutionornothing/white-colleague-listen-2d098d6a4a5d

Said, Edward. Culture and Imperialism. Vintage Digital, 2014.

Said, Edward, and Jacqueline Rose. “Edward Said Talks to Jacqueline Rose.” Critical Quarterly, 40.1, 1998, 72–89. https://doi.org/10.1111/1467-8705.00144

Sharifi, Azadeh, and Lisa Skwirblies, eds. Theaterwissenschaft postkolonial/decolonial: Eine kritische Bestandsaufnahme. Transcript Verlag, 2022. https://doi.org/10.1515/9783839455531

Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Duke University Press, 2003. https://doi.org/10.2307/j.ctv11smz1k

Teves, Stephanie Nohelani. “The Theorist and the Theorized: Indigenous Critiques of Performance Studies.” TDR/The Drama Review, 62.4, 2018, 131–140. https://doi.org/10.1162/dram_a_00797

Thiong’o, Ngũgĩ wa. Decolonising the Mind: The Politics of Language in African Literature. Jamea Currey Ltd.: 1986.

Tuck, Eve, and K. Wayne Yang. “Decolonization is Not a Metaphor.” Decolonization: Indigeneity, Education & Society, 1.1, 2012, 1–40.

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Zaroulia, Marilena, and Glenn Odom. “Editorial: Taking a Snapshot of Theatre and Performance Studies.” Studies in Theatre and Performance, 41.1, 2021, 1–11. https://doi.org/10.1080/14682761.2021.1881271