Colonialism Reiterated: The Racialised Division of Labour in Higher Education and Beyond

Authors

Abstract

This article takes up the invitation to imagine a decolonised performance studies by turning its attention to the legal and material conditions, institutions, and practices on which the work of study rests. Drawing on performance studies’ theorisations of the affixive ‘re,’ we define colonialism’s “reiteration” as an unfinished modulation across time and space, rather than a linear or finite trajectory. Aligned with thinkers who address decolonisation as a specifically material project, we thus argue that any attempt to epistemologically “decolonise” performance studies must first confront the reiterations of colonialism that undergird academic labour today. Specifically, we turn to the racialised division of labour—as it is reinforced globally by migration law and border control—as a key site at which colonial histories continue to shape scholarly practice. Moving between three key sites—Kuwait, Singapore, and the United Kingdom—we argue that higher education should be seen not as a neutral register for skill and qualification, but as an industry with a vested interest in disguising racialised hierarchies of migrant labour. On this basis, we end by proposing an activism that attempts to break with the normative, racialised division of labour among university workers.

Author Biographies

Faisal Hamadah, Maastricht University

Faisal Hamadah (PhD) is an Assistant Professor of Postcolonial Studies and Transnationalism at Maastricht University. He is scholar of the Middle East whose work deals with the cultural, political and economic history of the region. He received his PhD in 2020 from the Department of English and Drama at Queen Mary University. He is interested in how states, capital, and labor constitute the history of the Gulf states in the 20th century, and publishes on migration, cultural history, political ecology, and state capitalism.

Ella Parry-Davies, King's College London

Ella Parry-Davies is a practitioner-researcher working on feminist approaches to labour and migration, recently specifically focussing on facilitating co-creative research with migrant domestic workers. She is Lecturer in Theatre, Performance and Critical Theory at King's College London, and previously was a British Academy Postdoctoral Fellow at the Royal Central School of Speech and Drama, and a Visiting Scholar at De La Salle University Manila. She co-convenes the PSi working group on Performance and Critical Social Praxis, and is a co-founder of the research collective After Performance.

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Published

2023-06-19